I'm working on getting out two new publications in late September, the 5th and 6th works by Johann Baptist Krebs (aka J.B. Kerning) that I have translated:
Krebs, Johann Baptist. The Freemason. Whanganui: K A Nitz, September 2024.
A translation of Der Freimaurer (first published 1841 under the pseudonym J. B. Kerning).
After the death of his wife, the estate owner Gomphardt embarks on a journey to rediscover his faith in life. He encounters many freemasons who try to convince him of the value of joining them. Through this odyssey the pluses and minuses of freemasonry are revealed to the reader.
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"In all arts we see three classes of participants — artists, dilettantes, and lovers. Artists are those who dedicate themselves to an art, study its laws, practise its technique, and deliver in this way works of art. You call dilettantes those who alongside other business dedicate themselves to an art, sometimes, if the talent is excellent, quite well, but mostly they deliver extremely mediocre work. Lovers of art finally are the countless viewers who seldom have an innate unbiased judgement and assess the art phenomena according to quickly received impressions, now and then supported on the authority of some critic or highly placed art connoisseur.
Freemasonry is an art and must, in order to develop itself fully, necessarily express its efficacy in these three classes. Now I ask you, which of the described classes make themselves noticeable? Answer: almost none, at most the lovers who would like to have something to criticise and, since they find nothing, place themselves above the artists and damn and deny the artists and art."
Krebs, Johann Baptist. Wisdom of the Orient. Whanganui: K A Nitz, September 2024.
A translation of Weisheit der Orients (first published 1841 under the pseudonym J. B. Kerning).
The mystical wisdom of the Near East and Christianity is revealed in a series of parables featuring Zoroaster, Pythagoras, and John the Baptist.
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“You want to be free and have free will, and the free powers should direct themselves according to your moods, your sensual striving and needs. You think to the creature is given freedom, whereas it finds itself momentarily in the greatest restriction. Hunger forces you to eat, tiredness demands sleep from you. The external sensory human is subject to the powers of nature; he has no freedom, he can only wish. The truly human powers by contrast are belief, hope, and love, hunger and thirst for knowledge, the flight of fantasy, desire for a spiritually higher life. These are powers which act through themselves, which are not to be commanded, and which, if you attempt to model them according to your own arbitrary ideas, turn against us to our detriment.”